The best feedback to my latest novel, published in July? A mate said it was like The Catcher in the Rye — for girls. I can certainly live with that.
But this is also a yarn that additionally throws in a murder mystery, a sprinkling of gothic horror, surrealism, and dialogue heavily influenced by both Raymond Chandler and Angela Carter. I’m hardly claiming the strength and agility of any of these — yet there you go.
One of the things I like to do in my books is lob in hundreds of additional nods and the occasional homage to things I dig and cherish, or that may have had a role in developing my peculiar psyche.
Some of this fodder is just plain obscure, and Depth Charging Ice Planet Goth is no stranger to these things.
I’m therefore going to skim the surface here, in order to give prospective readers a vague idea of what to expect in the book between the lines — and if you have read it, these tarnished nuggets may add flavour.
For starters, the old truck in which Mina hitches a ride — a World War Two era, canvas-backed General Motors lorry — featured in The Great Escape. It has the license plate ‘JJZ-109’, which was the number plate on Steve McQueen’s Mustang in Bullitt. Hip-hop DJ Clive Campbell is a direct reference to DJ Kool Herc (same real name), considered by many to be the ‘father’ of hip-hop.
Much of the new novel focus on music, especially that created in the 1980s. When creating character names, I couldn’t resist the winks. Margaret’s boyfriend Danny Murphy is an amalgam of Peter Murphy and Daniel Ash, the singer and guitarist from British gothic rock band Bauhaus, while Mina’s form teacher Roslyn Williams spins out of Rozz Williams, who formed American band Christian Death in 1979. Glenda Matlock, the school counsellor, comes from Glen Matlock, the Sex Pistols’ original bass player before Sid Vicious joined the band. Police constables Copeland and Andie Summers are based on members of The Police — the band — namely Stewart Copeland (drums) and Andy Summers (guitar).