Back in Black by Thomas Pluck

Today I am honored to welcome Thomas Pluck, author and editor of the Lost Children charity anthologies. If ever there was a win-win situation, it’s the one readers are presented with when they purchase one of the Lost Children anthologies: get a TON of great short fiction from an amazing collection of authors, and help raise money to lobby for legislation to protect children from physical, sexual, and emotional abuse.

Protectors: Stories to Benefit PROTECTLast year Elizabeth invited me to write about the Lost Children Charity Anthology, where I collected 30 stories from a flash fiction challenge issued by Fiona Johnson and Ron Earl Phillips. It has great stories by Paul D. Brazill, David Barber, Chad Rohrbacher, Veronica Marie Lewis-Shaw, Lynn Beighley and many more. We raised over $1700 for two children’s charities with that book. It continues to be a great success.

But I’m the kind of guy who always looks for what he could have done better. Two months after it was published, I decided to do another one. I’d focus on one cause and I’d invite many of the new authors I met at Bouchercon 2011 and online. A year later, I’m back, to let you know that I can really shake ’em down:

Protectors: Stories to Benefit PROTECT gathers 41 writers to support one cause: protecting children, through sane and effective legislation. The first book collected flash fiction; this one has one page poems to novellas. Crime, noir, westerns, thrillers, weird tales, horror, urban fantasy and transgressive lit. An exclusive first three chapters from Ken Bruen’s novel, Spectre in the Galway Wind. An Edgar finalist that hasn’t seen print since 1984. Joe Lansdale contributed a story from Hap’s childhood. George Pelecanos sent a story while he was busy on the set of Treme.

The reaction was stunning, and putting it all together was the biggest challenge I’ve faced as a writer to date. How tough was it? It was a lot of work. But as they say, a labor of love. I had to hunt down writers through publicists or query them via email. I had to scan an old typewritten story in and correct it line by line. I like to think I’ve become a much better editor of my own work after editing 40 other writers. And it sure made me more amicable to being edited, after being on the other side of the red pen, so to speak.

On Being a Deranged Pervert by Brady Allen

I’m pleased to welcome Brady Allen to the blog. Brady’s debut book, the short story collection Back Roads and Frontal Lobes, was recently released by Post Mortem Press and is garnering praise from both readers and noted authors, such as Bram Stoker and Scribe award-winning author Elizabeth Massie and six-time Bram Stoker award-winning author Gary A. Braunbeck. And don’t worry, despite the title of his guest post, Brady’s not really a deranged pervert. Well, I’m pretty sure he’s not…

Brady Allen“Don’t go there. Don’t go there . . .” That’s what a friend of mine told me she found herself saying while reading several of the stories in my new collection, Back Roads & Frontal Lobes. And then she told me that she knew I would, anyhow.

Of course I would. Some people want you to. To go there, that is. More than will admit it.

There’s an argument that Stephen King makes in an essay that appeared first in Playboy thirty years ago. He works from the question of why it is that we love horror movies. His answer, in part, is this: “I think that we’re all mentally ill.” And he adds that we’ve got to “. . . keep the gators fed.” It’s a crude but very logical and nuanced argument that goes well beyond these statements, but that’s the heart of it. Part of our nature leans toward being uncivilized.

There are things about being human that most people don’t like to talk about. We have to be civilized, right? We have laws and all that. And judgmental people. And laws and judging can seriously fuck with our lives. Civility makes society work better.

(But it doesn’t stop us from being human, or human animals.)

If fiction is supposed to be honest (lies that reveal the truth about humanity is what we’ll call fiction in creative writing classes) then, honestly, what does being civilized have to do with it, sometimes? Being civilized is our attempt to cover up the sordid honesty that might fill our streets with blood and our bedrooms with orgies—or the other way around.

Bar Scars by Nik Korpon

Vile Blood by Roger SmithHer skin parts like wet silk under a razor, and even with a gaping hole in her face, I think she’s quite beautiful.

That disturbing yet eloquent line opens “His Footsteps are Made of Soot,” one of my favorite stories in Nik Korpon’s recently released collection Bar Scars. The nine stories which form the collection clock in collectively at around 80 pages, and every one of them has clearly been crafted with the utmost care. As with any collection, however, there were a few that particularly stood out to me.

“Alex and the Music Box” finds a guy sneaking back into his ex-girlfriend’s apartment to retrieve the music box he’d given her. But instead of getting in and out with surgical precision, he lingers a bit too long and finds himself trapped when his ex returns from a night out at the bars…and she’s not alone.

The tension in this one is nearly unbearable, as Korpon paints his lead into a corner – or under a bed as the case may be – leaving both the poor guy and the reader to wonder how he’s getting out without getting caught. This being a Korpon story, however, we quickly realize that under the bed was probably the best place for the burglar boyfriend to be, as things go from awkward to alarming upon his emergence from hiding.

“His Footsteps are Made of Soot” is the story I think perhaps best captures the mixture of grit and eloquence which makes Korpon’s writing so intoxicating. The story’s lead works as the assistant to an off the books surgeon who performs procedures in his less than sterile basement operating theater. I mean, one should seriously rethink their desire for cheap elective surgery when their doctor works with such sophisticated equipment as filet knives and tongs, a corkscrew and melon baller, fishing line and a nitrous oxide tank covered in clowns.

The Dead Women of Juárez by Sam Hawken

Sam Hawken“We are a city of dead women. We feed on our own.”
– Rafael Sevilla

Once a promising boxer, American Kelly Courter found himself in Ciudad Juárez, Mexico after his dance with drugs and alcohol resulted in a horrific accident he chose to flee from rather than face the consequences. He still boxes, though now it’s his job to play the role of human punching bag for up-and-coming young Mexican fighters in unsanctioned smoker fights.

He also makes a little money on the side by helping his friend Estéban sell marijuana and repackaged prescription pills bought dirt cheap from farmacias and sold at tremendous markup to clueless turistas. It’s not an ideal existence by any stretch of the imagination, but Kelly does have one bright spot in his life, Estéban’s sister, Paloma, with whom Kelly is involved.

Though Paloma is romantically involved with Kelly, her passion lies with Mujeres Sin Voces, an organization dedicated to seeking justice for the countless young women of Ciudad Juárez who go missing every year. Sometimes the women are found murdered, but more often than not they simply disappear, never to be seen again. The polícia are no help, they more than have their hands full fighting a losing battle against the drug cartels, leaving the families of the missing to seek what justice they can on their own.

My Own Private Macondo by Nik Korpon

I’m pleased to welcome Nik Korpon to the blog today. Tomorrow I’ll be reviewing his latest, the short story collection Bar Scars, but today Nik explains how everything suddenly crystallized for him when he realized that instead of trying so hard to create new and unique universes to keep his characters apart, what he really needed to do was bring everyone together in one great big grungy one.

Vile Blood by Roger SmithI’d heard a while back that Chuck Palahniuk cited The Great Gatsby as his inspiration for Fight Club. I didn’t know enough at the time to see the rationale behind it—this was somewhere round 2005—but after I began to take writing seriously (and by necessity, reading) it started to make more sense. I could see the threads that strung the novels together. Man, I wish I could do something like that, I thought as I sunk back into my stack of Garcia Marquez books.

Flash forward five years and I’m collecting stories for my Snubnose Press collection, Bar Scars, reading through (okay: skimming) everything I’d written since 2009. By this time, I had three novels (though one is now a lovely doorstop and the other in submission-limbo) three novellas and a couple dozen shorts on my Mac. The voyeurism I felt while revisiting things I’d written at the beginning of my career (if you can call it that) notwithstanding, what really struck me was the way all of these places coalesced in my head. There were a ton of bars and building sites, a cadre of reprobates and lowlifes and schemers, all of which not only made Baltimore seem like that much worse of a city, but also began to feel repetitive. When I began writing, I thought it was cheating to write about the same people in different stories. I thought each story had to have its own universe and cast of characters. So, instead of cheating I just changed the names and locations. Which, you know, was pretty much the cheating I was trying to avoid.

Banned Books Week: 10 Most Challenged Books of 2011

Banned Books Week: Celebrating the Freedom to ReadAccording to the American Library Association, there were 326 challenges reported to the Office of Intellectual Freedom in 2011. Many more go unreported.

The 10 most challenged titles of 2011 were:

ttyl; ttfn; l8r, g8r by Lauren Myracle. Reasons: offensive language; religious viewpoint; sexually explicit; unsuited to age group.

The Color of Earth by Kim Dong Hwa. Reasons: nudity; sex education; sexually explicit; unsuited to age group.

The Hunger Games trilogy by Suzanne Collins. Reasons: anti-ethnic; anti-family; insensitivity; offensive language; occult/satanic; violence.

My Mom’s Having A Baby! A Kid’s Month-by-Month Guide to Pregnancy by Dori Hillestad Butler. Reasons: nudity; sex education; sexually explicit; unsuited to age group.

The Absolutely True Diary of a Part-Time Indian by Sherman Alexie. Reasons: offensive language; racism; religious viewpoint; sexually explicit; unsuited to age group.

Alice by Phyllis Reynolds Naylor. Reasons: nudity; offensive language; religious viewpoint.

Vile Blood by Max Wilde

Vile Blood by Roger Smith“The truth is I’m leaning in the direction of believing that God is dead but the Devil is very much alive.” – Father Pedro

The idea that God is dead and the Devil is running wild is one that the characters in Vile Blood have every reason to embrace. Deputy Sheriff Gene Martindale and his sister, Skye, lost their parents to unspeakable violence when Skye was still a toddler and Gene hardly into his teens. More recently, Gene’s wife and their unborn child were killed in a most gruesome manner by two members of a cult, leaving Gene, his young son, and a now seventeen-year-old Skye to cling together as a family unit.

But as horrific as their past is, their future holds far worse. When four men passing through the town decide to give Skye a hard time – or worse – one night as she’s walking home from her job at the town’s diner something in her snaps. Something monstrous, powerful, and evil. Something Skye always knew on some level was there, but which she’d fought desperately to keep contained. Something she calls The Other.

Confronted the following morning with the resulting abattoir-like scene along the side of the road, Gene knows he’s looking at something he’s seen before and had hoped to never see again. Something he knows was caused by his sister. Something he has no idea how to deal with, but knows he somehow must. Unfortunately, things go from worse to screwed when the Sheriff of the neighboring county, a man who worked the Martindale family crime scene 15 years prior, also realizes there’s something familiar about the carnage and, upon finding Skye’s broken glasses amongst the gore, makes the connection between the two massacres.

Who the hell is Max Wilde? by Roger Smith

In a fitting kickoff to the Halloween month of October, I’m pleased to welcome author Roger Smith to the blog to talk about his doppelgänger, horror author Max Wilde. I’ve previously reviewed Roger’s thrillers Dust Devils, Ishmael Toffee, and Capture, and tomorrow will be looking at Vile Blood, the debut work from “Max.” Today, however, Roger’s gonna “riff on pen names, doppelgängers, horror comics and slasher movies.”

Vile Blood by Roger SmithIn an interview years ago the great American crime writer Donald E. Westlake talked about writing his brilliant Parker novels under the alias Richard Stark. He said that when he sat down to write as Stark he felt different. Thought differently. Wrote differently.

This always intrigued me and last year, when—out of nowhere—I had the glimmer of an idea for the horror novel that became Vile Blood, I knew I could never write it as Roger Smith. I needed to access another part of myself, dredge up a very different set of memories, influences and obsessions from the ones that fuelled my South African crime novels.

So Max Wilde walked in the door one day, sat down at my computer and started writing. Before dark he slipped away but he came back the next day and the next; spent months hunched over my laptop, hammering at the keyboard like a man possessed. Then he disappeared, leaving a file sitting on my hard drive. When I read those pages I was fascinated by what this other guy had jacked into and the memories that he was stirring up.

I was a kid in apartheid South Africa in the late 60s and 70s, a repressive time. The country was run by an Afrikaner Calvinist dictatorship and hand-in-hand with their sick racial policies went a suffocating Puritanism and sexual repression. Censorship was draconian, especially when it came to sex. Forget about reading D.H. Lawrence or William Burroughs or Nabokov’s Lolita. Sex scenes in Hollywood movies were chopped out with little regard to the narrative.

But violence was okay. Violence was part of South Africa’s frontier birthright, after all. So horror novels, comics and movies slipped under the censor’s radar.

Banned Books Week 2012: Celebrating the Freedom to Read

CBanned Books Week: Celebrating the Freedom to ReadToday is the start of Banned Books Week 2012:

Banned Books Week (BBW) is an annual event celebrating the freedom to read and the importance of the First Amendment. Held during the last week of September, Banned Books Week highlights the benefits of free and open access to information while drawing attention to the harms of censorship by spotlighting actual or attempted banning of books across the United States.

Intellectual freedom—the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular—provides the foundation for Banned Books Week. BBW stresses the importance of ensuring the availability of unorthodox or unpopular viewpoints for all who wish to read and access them.

The books featured during Banned Books Week have been targets of attempted bannings. Fortunately, while some books were banned or restricted, in a majority of cases the books were not banned, all thanks to the efforts of librarians, teachers, booksellers, and members of the community to retain the books in the library collections. Imagine how many more books might be challenged—and possibly banned or restricted—if librarians, teachers, and booksellers across the country did not use Banned Books Week each year to teach the importance of our First Amendment rights and the power of literature, and to draw attention to the danger that exists when restraints are imposed on the availability of information in a free society.

Banned Books Week is sponsored by the American Library Association, the American Booksellers Foundation for Free Expression, the Association of American Publishers, the American Society of Journalists and Authors, and the National Association of College Stores. Banned Books Week is also endorsed by the Center for the Book in the Library of Congress.

For more information on getting involved with Banned Books Week: Celebrating the Freedom to Read, visit their official website.