Putting together a short story collection is a little more complex than just binding together a bunch of short stories. I have done three story collections (the first two used the tales from my private detective series). I took some time deliberating over which of my yarns to include in my new Smoking on Mount Rushmore. In the end, I opted to go with a little variety (soft-boiled, medium-boiled) rather than concentrate on the narrow scope of hardboiled/noir short fiction I like to work in.
Moreover, I also wanted to use those stories previously selected and published by the different editors at the crime and other ezines. I had the privilege to collaborate with such first-rate editors as Al Guthrie, Sarah Weinman, Anthony Neil Smith, Todd Robinson, and others.
Next came the editing stage. I wondered if I was alone in my thinking about doing that. My online research indicated short story collections typically undergo a rigorous editing process. After all, you are presenting the best of your short fiction. I also discovered short story collections are expected to offer bonus stories previously unpublished for readers to enjoy something new. I did not know that.
So, I inserted a pair of them to round out mine and identified Smoking on Mount Rushmore as being a New and Selected Stories. The most colorful title of its 16 short stories also became the collection’s title. Why re-invent the wheel, as they like to say? I’ve often heard readers’ comments made on how their reading short stories ends too soon for their liking, so I included several longer stories, including the title yarn from Smoking on Mount Rushmore.