Book Reviews by Elizabeth A. White

That Prosper Snow would have such self doubt is perfectly understandable. After all, as an officer sworn to uphold the law it would naturally cause internal conflict to find yourself breaking it in the most extreme manner possible – murder.

Yet that’s precisely where Snow found himself in The Kult, the first book from author Shaun Jeffrey which featured the character. When Snow and his group of friends became the target of a serial killer after trying to frame him for a murder they committed – not the most brilliant idea in retrospect – it was all Snow could do just to save his life. That he was able to massage the facts in such a way as to cover up his involvement and keep his job was a bonus.

Except now there is a new string of horrific killings occurring on Snow’s patch. And this time not only is he unable to take charge of the investigation, but the leader of the under the radar government agency that takes over the case implies he knows about Snow’s past criminal activities. He uses that knowledge to force Snow to join their team, and that’s when things go from bad to bizarre.

Turns out the shadow agency has special reason to be interested in the string of killings. Much to Snow’s horror, he is informed that the group has been conducting psychological experiments trying to determine whether a person can be made into an über efficient, remorseless killing machine… and one of their test subjects has escaped. (more…)

Joanna Raines used to think there was nothing worse than darkness. What else would a young, aspiring professional photographer think when they begin losing their vision to Fuchs corneal dystrophy? Distraught that the chance to pursue her dream is slipping away, Joanna undergoes a corneal transplant in one eye in hopes that will restore her vision. If all goes well, she’ll have the other eye done too.

While waiting on a train platform on her way to a follow up visit with her physician, Joanna witnesses a horrific accident when a man falls in front of the train and has one of his arms torn off. While the man is down, apparently dead, Joanna sees a dark shadow envelop him, seeming to enter his body through the stump of the ravaged arm. As the shadow dissipates the man jerks back to consciousness, not only alive but far more calm and upbeat than anyone has a right to be having just lost an arm to a train.

Joanna tries to convince herself what she saw was merely a trick of lighting, or perhaps something amiss from the operation. When her doctor removes a tiny stitch that had been irritating her eye and affecting her vision Joanna is satisfied that was the problem. That is until upon exiting his office, located within a hospital, she sees the man from the train platform being wheeled past her in the hallway and, despite the bright lights of the hospital, he is still shrouded in the menacing black shadow.

When the shadowy vision persists not only with the man from the train but begins appearing around other people, people who all seem intent on doing her harm, Joanna slowly comes to the disturbing realization she is seeing something very real, but which others cannot. She is seeing pure evil. (more…)

If someone had told weapons specialist and ex-military member Amber “Big Red” Redgrave that a security assignment gone bad resulting in two deaths was going to be the best part of her day, she’d probably have stayed in bed. Fortunately for readers of author Shaun Jeffrey’s newest book, Deadfall, she didn’t.

Following the ill-fated security assignment that starts Deadfall off with a bang, Amber returns to the office for debriefing by agency owner and ex-SAS man, John Richmond. Though a lucrative and time sensitive matter has arisen, given the morning’s events he doesn’t want Amber involved and insists that she take some time to decompress.

Amber, however, wants to get right back into things, so when she takes a call from the client indicating that they need an additional team member she talks herself onto the mission team… without Richmond’s knowledge. Understandably, he is not pleased to see Amber later that day at the mission rendezvous point. It being too late to replace her, he begrudgingly accepts her presence.

The eight man team is informed that their mission is to rescue the client’s two children, who have been kidnapped. Though the wealthy client is willing to pay the ransom, he’s not convinced the kidnappers will actually release the kids even if he does. Therefore, having learned that the kidnappers are hiding out in a remote, abandoned mining village he wants the team to go in and get the kids back before the 24 hour ransom deadline expires. A classic insertion and rescue mission, right?

Not quite. Instead of finding the kidnappers and missing kids in the village, they find it eerily quiet and seemingly quite empty. That is until hundreds of people start pouring out of the abandoned mine shaft and begin attacking the team. As they try to repel the assault they notice that the people are not slowing down, let alone dying, despite being shot… unless it’s a head shot. Impossible as it seems, the team quickly realizes that they aren’t dealing with living people, but with the undead. And we’re not talking Night of the Living Dead shuffling, slow moving zombies. No, these are the 28 Days Later chase you down speedy kind of zombies, and the resulting fight by the team to stay alive and get back to civilization is a white-knuckled ride with gore aplenty.

But there’s more going on in Deadfall than just a good zombie romp. In addition to having to deal with scores of the undead, there’s the question of exactly who their client really is and why they were set up, as well as the realization that not all the team members are who they seem to be. Further, Jeffrey has given a unique twist to the origin of the zombies in Deadfall, one that is both believable and allows for an ending that manages to simultaneously wrap things up and leave them open, in equally satisfying measures.

First with The Kult and now with Deadfall, Shaun Jeffrey is quickly establishing himself as the ‘go to’ guy for high-intensity action. Having already demonstrated that he can write both traditional crime fiction and horror with equal skill, I can’t wait to see what Jeffrey serves up next!

Killing people is The Oracle’s business, and business is good in author Shaun Jeffrey’s incredibly dark novel The Kult. The Oracle, you see, doesn’t just kill people; he tortures and mutilates them in horrifying ways, turning them, in his mind, into macabre works of art. Then he takes photographs of his creations, which he sends to the police.

Detective Chief Inspector Prosper Snow is in charge of The Oracle investigation. He’s also a member of the Kult, a small group of friends he’s known since his school days. Initially formed when they were just kids to help each other deal with bullies, the Kult stayed in contact over the years, occasionally calling on each other for assistance with increasingly “grown up” issues.

An email Snow receives from one of the members calling for a meeting leads to the group facing the most grown up issue possible: murder. At the meeting, Snow learns that the wife of one of his friends has been raped and not only does his friend intend to seek revenge, he expects his fellow Kult members to assist. He argues that the timing is perfect for them to kill his wife’s rapist, because if they do so in a sufficiently gruesome manner it will be blamed on The Oracle.

Though he’d always been there for the Kult in the past, Snow can’t agree to such extreme action. That is, not until his supposed friends inform him that if he doesn’t help, including supplying them with the inside information necessary to copy the unique m.o. of The Oracle, they will reveal to his superiors all the previous questionable activities in which Snow has participated. Caught between the proverbial rock and hard place, Snow caves and assists in the killing. And that is when things go from merely screwed up to genuinely life threatening, because following their attempt to frame The Oracle for the murder they commit the Kult members begin getting knocked off themselves.

In The Oracle Jeffrey has conjured up one of the nastiest, most perversely creative serial killers in recent memory, which makes it all the more impressive that Jeffrey did not make his protagonist an über-Detective. Quite the contrary, Snow spends most of the story frustrated, one step behind, and continuously making extremely questionable decisions based on emotion rather than logic… which makes him a believable and sympathetic lead.

The tension and stakes rise to almost stifling levels as Snow races to discover The Oracle’s identity before he finds himself in the crosshairs, setting the stage for a truly disturbing showdown in The Oracle’s decidedly creepy lair. Definitely not for the faint-of-heart, The Kult is a gripping read that’s part horror, part mystery, part police procedural, and completely in-your-face.