Posts Tagged ‘Simon & Schuster’


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Southern Gods by John Hornor Jacobs

September 30, 2011 by Elizabeth A. White  •

Southern Gods by John Hornor JacobsDo not call up what you cannot put down. – The Little Book of Night

Things would have gone so much easier for Bull Ingram if only someone long ago had heeded that warning. Instead, when the WWII vet is hired to find a missing man in rural Arkansas things get really weird, really fast.

Turns out it’s not only a missing music scout that his employer, a Memphis DJ, wants Ingram to find. He’s also charged with tracking down a pirate radio station that plays the haunting music of a mysterious blues man known as Ramblin’ John Hastur.

Whispers and rumors hold that Hastur’s music is evil, the result of him selling his soul to the devil in exchange for his gift. A hard man and former Marine, Ingram isn’t daunted in the slightest by such mumbo jumbo and sets off to earn his pay.

Meanwhile, a woman, Sarah, and her young daughter have fled an abusive situation and found their way back to Sarah’s childhood home, a sprawling plantation in rural Gethsemane, Arkansas. It slowly becomes clear that something is very wrong in Gethsemane, and that the darkness shrouding the old plantation goes far beyond family secrets thought long hidden and buried.

Exactly how the darkness Ingram is following and the darkness following Sarah and her ancestral home are connected is expertly woven together by debut author John Hornor Jacobs in one of the most intense and enjoyable books I have read this year. (more…)

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Storming Heaven by John Hornor Jacobs

September 29, 2011 by Elizabeth A. White  •

Tomorrow I’ll be reviewing Southern Gods, the powerful debut novel from author John Hornor Jacobs, but am very excited to welcome him today for an amazingly frank guest post about the creeping ambition that begins with the desire to write “a simple tale, well told.”

Storming Heaven by John Hornor JacobsAudacity.

It’s funny, for a guy who claims to think no one can teach another person how to write, I sure do write about the act of writing a lot, like a snake devouring its own tail. What’s the point? Go write a manuscript and then we’ll talk.

But still. There are subjects that niggle, that pester. There are half-formed thoughts immaterialized in my haunted house of a noggin. And I feel like I should explore them, head up into that ghostly attic with a flashlight and poke around. And so I shall, at Elizabeth A. White’s expense.

Audacity.

When I first began writing, I was happy to just finish my first manuscript, SOUTHERN GODS. All I wanted to do was to see if I could complete a novel. And once I do, hey, I’ll be totally happy. That will be enough. That’s all I want. But, then, once the book was complete, something twisted in me, and the worm of ambition shifted and burrowed into my liver and I thought, I just want to SEE if I can get it published, because that’s how the worm of ambition works, it adjusts our goals only slightly as it seats itself firmly in the flesh, tugging at the fibers and sinew, sinking into the organs. All I want is to be published. It’s fine, even, if it’s a small press. I’ll be totally happy with that. Once that happens, I can die happy. But just having a stack of papers with a novel printed on them isn’t enough. And then, when the first publisher accepted my book, and my friend John Rector asked if I’d signed anything and I said no and he replied, “Let me introduce you to this agent I met and I think you’d be a good match,” the worm twisted in me again and suddenly new vistas opened before me to plunder. I wanted more, then, than just a small press deal. I wanted an agent. I wanted to my books to be in stores. (more…)

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Blacklands by Belinda Bauer

May 13, 2010 by Elizabeth A. White  •
Blacklands by Belinda BauerDigging had given his life purpose. It was a small, feeble purpose and was unlikely to end in anything more than a gradual tapering off into nothingness. But purpose was something, wasn’t it? – Blacklands

Twelve-year-old Steven Lamb of Somerset, England lives his young life with more purpose than most ever experience in an entire lifetime.

His father long since out of the picture, his mother stuck in a dead end housekeeping job and his Nan (grandmother) still haunted by the disappearance of her son, Billy, eighteen years earlier, Steven and his five-year-old brother exist in a house perpetually filled with tension and despair.

Billy, who was the same age at the time he went missing as Steven is now, is presumed to have been killed by pedophile and serial killer Arnold Avery. Convicted of killing six children, though he never admitted to Billy’s abduction or murder, Avery is serving a life sentence in a nearby prison.

That Billy disappeared at such a young age was tragic enough, but Steven is convinced what has cast such a dark cloud over his family is that Billy’s body was never found. His Nan in particular seems unable to move on, holding a daily vigil at the window as if still expecting Billy to come home even after eighteen years.

Steven believes that if he could just find Billy’s body he would be able to heal his family’s psychological wounds. After all:

“If Nan loved him and Davey, maybe she and Mum would be nicer to each other; and if Nan and Mum were nicer to each other, they would all be happier, and be a normal family, and… well… just everything would be… better.”

Determined to find Billy’s body and bring it home to rest so that he can have a normal family, Steven spends all of his free time digging boy-sized holes in the moor where Avery’s known victims were found, to no avail. Frustrated by his lack of results, he finally has an epiphany: go straight to the source. And so Steven writes a letter to Avery that sets into motion a life-altering chain of events.

Though the cryptic exchanges between Steven and Avery are reminiscent of the Clarice Starling / Hannibal Lecter relationship in Thomas Harris’ Silence of the Lambs, through her use of a child protagonist Bauer has crafted a fresh twist on the serial killer crime genre. She has, in fact, managed to seamlessly weave together a psychological suspense novel and a traditional coming-of-age story.

At only 220 pages Blacklands is a quick read, though given the compelling storyline it could have been twice as long and I still don’t think I’d have been able to put it down without finishing in one sitting. Absolutely heartbreaking in his earnestness, painfully realistic in the missteps that he makes, and inspiring in the depth of his determination, Steven Lamb is one of the most fully realized characters I’ve come across in quite some time. That he is merely a child makes what Bauer has accomplished with Blacklands, a debut offering no less, all the more impressive.

Belinda Bauer grew up in England and South Africa, and now lives in Wales. She has worked as a journalist and screenwriter. Her script The Locker Room earned her the Carl Foreman/Bafta Award for Young British Screenwriters, and she was a runner-up in the Rhys Davies Short Story Competition for “Mysterious Ways.”