We’re All Thriller Writers Now by L.J. Sellers

How do you define a thriller? Today L.J. Sellers, author of the award-winning Detective Jackson series, is here to talk about the expanding use of the term in fiction, as well as the reasons behind the increased usage of “thriller” to describe a book. Though not as contentious as defining the term “noir” – an argument that has been known to have ruined friendships and even lead to fisticuffs – there’s no question the parameters of what counts as a “thriller” have been steadily expanding. So, read what L.J. has to say on the subject and then weigh in with your opinion in the comments: how do you define a thriller?

LJ SellersThrilling: adj., producing sudden, strong, and deep emotion or excitement

Doesn’t that pretty much describe all great novels? Yet according to librarians and bookstore owners, traditional labeling defines thrillers as fast-paced, realistic books that focus on plot more than character and have a high-stakes conflict as the heart of the story. And by high stakes they mean a lot more than a single life—or a series of selected lives—must be at risk. Whole cities or ways of life must be in peril.

But now, with many writers labeling their own work, just about any story with a crime or an element of suspense is called a thriller. Just as one example, Amazon’s #1 book on the thriller list is Gone Girl by Gillian Flynn, a story of a marriage gone bad and a missing wife. It’s all about the characters. Readers love the story and many have labeled it thrilling, and being a fan, I plan to read it.

As a member of International Thriller Writers, I’ve written many features about new releases for the Big Thrill newsletter. With some, I’ve scratched my head and thought: Why is this called a thriller? The stories usually sound terrific, but still, I would call them paranormal suspense or historical mystery.

When the Axe Dropped and the Shots Rang Out by Sabrina Ogden

So pleased to have the lovely Sabrina Ogden here today to talk about her love of short stories, as well as her involvement with Shotgun Honey, both the flash fiction website and their anthology release, Both Barrels.

Sabrina OgdenI still remember the very first short story that ever made an impact on me. I was in third grade and our teacher gave us an assignment to write a short story involving the upcoming Thanksgiving holiday. It wasn’t the first writing assignment we had been given in her class. Mrs. King loved reading books to us and always encouraged us to use our imagination in our writing assignments. But it wasn’t until this particular assignment that I realized just how gifted some individuals could be at story telling.

It was the final day before Thanksgiving break when Mrs. King stood up in front of the class and told us that she had a very special story to read to us in preparation for the holiday. The story was written by my good friend Sara and it chronicled the life of a turkey family living on a ranch with hundreds of acres of roaming space. They were a happy family; a mother, a father, and three little ones, and they lived a perfectly happy life until the father was dragged away by the ranch owner and sacrificed in front of his entire family for Thanksgiving dinner.

Protectors: Stories to Benefit PROTECT by Thomas Pluck, Editor

Protectors: Stories to Benefit PROTECTI’ve always been a huge fan of anthologies, as I think it’s a wonderful way for readers to efficiently sample numerous authors’ work – take them for a test drive if you will – without having to invest in a full-length novel right out of the gate. I’ve discovered many new authors through anthologies, some of whom I’d probably never had read if not for coming across them this way.

I’m also a huge fan of any person or organization fighting to protect children and advocate for their rights, which is why the Lost Children anthologies are such amazing projects. Last year saw the release of the Lost Children Charity Anthology, which featured 30 stories from a flash fiction challenge issued by Fiona Johnson and Ron Earl Phillips. The book raised over $1700 for two charities, one in the US and one in the UK, and spurred editor Thomas Pluck to put together a second volume, Protectors: Stories to Benefit PROTECT.

Pluck upped the ante this time out, with Protectors featuring a whopping 41 stories from authors Patti Abbott, Ian Ayris, Ray Banks, Nigel Bird, Michael A. Black, Tony Black, R. Thomas Brown, Ken Bruen, Bill Cameron, Jen Conley, Charles de Lint, Wayne D. Dundee, Chad Eagleton, Les Edgerton, Andrew Fader, Matthew C. Funk, Roxane Gay, Edward A. Grainger, Glenn G. Gray, Jane Hammons, Amber Keller, Joe R. Lansdale, Frank Larnerd, Gary Lovisi, Mike Miner, Zak Mucha, Dan O’Shea, George Pelecanos, Thomas Pluck, Richard Prosch, Keith Rawson, James Reasoner, Todd Robinson, Johnny Shaw, Gerald So, Josh Stallings, Charlie Stella, Andrew Vachss, Steve Weddle, Dave White, and Chet Williamson. It also includes an exclusive look at the first three chapters of Ken Bruen’s upcoming novel, Spectre in the Galway Wind.

Obviously it would be impractical to review every story in the anthology, so I’ll simply highlight a few that particularly stood out to me.

Do Hardheaded and Redheaded Go Hand in Hand? by Joelle Charbonneau

Very happy to welcome the multitalented Joelle Charbonneau to the blog today. Though most of you probably know her as the author of the Rebecca Robbins and Glee Club series, Joelle has also performed in a variety of operas, musical theater and children’s theater productions across the Chicagoland area. Today’s she here to talk about being a mutant*, and why she also made her heroine a mutant. (*Ok, ok, a redhead.)

Joelle CharbonneauI am a redhead. Essentially that means I’m a freak. Red hair occurs in approximately 1-2% of the world’s population. Red hair appears when a person has two copies of a recessive gene on chromosome number 16. This causes a mutation in the MC1R protein and voila – red hair.

See…I told you I was a freak. Or perhaps a better way to say it is that I am a mutation. Ha! Now we’re all thinking about Zombies and crazy science fiction movies. Trust me when I say, I’d probably be the last person you want on your zombie apocalypse team unless you want me to fricassee up some brains. I’m a pretty mean cook, so I might come in useful there.

I point out my lack of zombie fighting skills because, for reasons unbeknownst to me, red heads have the reputation of being feisty, with kick ass tempers. One editor I know (who also had red hair), has rolled her eyes more than once at manuscripts that come through the door which describe their redheaded heroines as fiery.

While I have red hair and can get as pissed off as the next person, I’m pretty sure my mutated MC1R protein hasn’t caused me to be more violent or angry than a normal human being. (Or maybe those holes in my backyard aren’t caused by squirrels, but by my alter ego burying the remains of those who have ticked me off!) I will admit that I am stubborn and often think I can do more than I can possibly hope to accomplish in any given set of hours. However, that being said, I am less inclined to blame that on my mutated chromosomes and more on my determination to succeed.

As Close As You’ll Ever Be by Seamus Scanlon

As Close As You'll Ever Be by Seamus ScanlonThe 23 stories in Seamus Scanlon’s collection As Close As You’ll Ever Be are loosely interwoven snapshots of the life of Irishman James “Victor” McGowan. From enthusiastic and wide-eyed boy to world-weary and jaded middle-aged man, the stories vividly evoke a life shaped by the unique social and political conditions found in Ireland during The Troubles.

The young boy’s obsession with jumping from heights and falling detailed in “Free-fall” takes on an interesting subtext given the backdrop of his childhood. Be it launching himself from atop his wardrobe to his bed or leaping headlong over the banister at the top of the stairs in the family’s home to a makeshift landing pad on the floor below, are the acts merely examples of a young boy’s natural energy, or do they reflect the deeper pathology of a person driven to seek the adrenaline rush derived from being in dangerous, fight or flight situations?

“Infected” shows how a fatherless twelve-year-old can be mislead into finding purpose and guidance in the flashy uniforms and military organization of the Aryan Youth, while “Drive This” and “Listen Here to Me” find a teenager willing to unleash lethal judgment on those perceived to have wronged him or his family, even if the person on the receiving end of the young man’s vengeance is family. And “Collecting” and “No Exceptions” are stark examples of the casual violence McGowan graduates to as a man working with the IRA.

Murder With Sarcastic Intent by Dani Amore

MurderSarcasticIntent“I dislike most people, and the few I do like I certainly don’t trust one single bit.” – Mary Cooper

Los Angeles based private investigator Mary Cooper has never met a snarky remark she didn’t like. Unfortunately, she’s prone to blurting out any quip that crosses her mind no matter the setting or company, which is not exactly the best course of action when dealing with clients and fellow law enforcement professionals.

She manages to hold her tongue long enough to get hired by a wealthy woman whose seventeen-year-old daughter has gone missing. The mother’s not sure if the young woman was abducted or simply ran away, but that her last known boyfriend was both older and involved in the porn industry certainly casts a sinister pall over her disappearance. Given the family’s high profile they’d prefer to keep the police out of it, and pay Mary in cash to keep things “off the books” and find their daughter.

Since Mary’s boyfriend, L.A. Detective Jake Cornell, is now working Vice you’d think Mary would have an “in” running down leads in the porn industry, only Jake seems to have gone missing too… while working undercover with a film studio whose specialty is porn.

The Boy That Galway Consumed by Seamus Scanlon

I’m pleased to welcome Seamus Scanlon to the blog to talk about how growing up in Galway, Ireland set the tone for the noir perspective that infuses his recently released short story collection, As Close As You’ll Ever Be (Cairn Press).

BasharasMy introduction to books as a child was in the crowded and cramped Galway City library. It occupied the second floor of the court house complex built by the British in the nineteenth century. On the portico high above street level the British gave it the ultimate imprimatur by installing a Royal coat of arms carving, featuring the lion and unicorn on either side of the great shield, which looked down on the colonized peasantry of Galway.

Many prisoners were taken from there for the short journey across the Corrib to the City Gaol and then onto the even shorter journey into infinity – hanged at dawn and buried in the goal precincts. The bodies were disinterred in the 1960s when it was demolished to make room for the ostentatious Galway Cathedral. A marginal improvement some would say.

To get to the library on the second floor I had to negotiate a phalanx of prisoners in handcuffs and chains, prison warders, Gardai, lawyers, solicitors, relatives of the victims and accused and a blue grey haze of cigarette smoke that penetrate your cloths as you pushed your way through the crowds and then up the long wooden staircase to the haven of the library. Hence my early and abiding interest in crime fiction was born.

One Hundred Years of Underpinnings by Andrez Bergen

December of 2011 brought me one of the best gifts I’ve ever received, but Santa wasn’t the one who delivered it. No, my personal Kris Kringle was author Andrez Bergen, who was kind enough to provide me with a copy of his book Tobacco-Stained Mountain Goat. I thought the title and cover intriguing, and set about reading. Damn! Not only did TSMG end up being one of my Top Reads of 2011, it is one of my favorite reads ever. Well, Andrez is back. His newest, One Hundred Years of Vicissitude (Perfect Edge Books), is officially released tomorrow, and it is another epic offering which I can assure you will be on my Top Reads of 2012 list. Today I am thrilled to welcome Andrez for an epic guest post, in which he discusses the myriad of inspirations and influences that went into One Hundred Years of Vicissitude’s creation.

Andrez BergenAfter the big earthquake and tsunami in the Tōhoku region north of Tokyo last year, I felt like I very much wanted to give something back to Japan, a place that’s been my home for the past 11 years – a place that’s equal parts inspiring and puzzling, a fascinating collusion of kitsch and cool, with a history ten times longer than that of my home town, Melbourne.

One Hundred Years of Vicissitude was originally an idea I toyed with in 2007, and then shelved while I finished off Tobacco-Stained Mountain Goat.

Some of the original notes did make it through to the final version, but at least 98 percent was written between September 2011, and April 2012 – and the tone is completely different.

The novel was swayed as much by family (my late grandfather Les, my wife Yoko and my six-year-old daughter figured significantly in its composition) as it is by my two ‘home’ towns of Tokyo and Melbourne.

Aside the essential story of identical twin geisha, war, death and saké, other things weighed in on the mix and I’ve decided to outline some of these here, as they deserve all the kudos they can get.

Back Roads & Frontal Lobes by Brady Allen

Back Roads and Frontal Lobes by Brady AllenOn Wednesday author Brady Allen stopped by for a guest post entitled “On Being a Deranged Pervert,” in which he explored the connection between people’s deep, dark desire for sex and violence, gore and horror, and the responsibility of fiction to be honest to that truth.

The 23 short stories in Allen’s debut, Back Roads & Frontal Lobes, more than demonstrate that Allen not only talks the talk, but walks the walk when it comes to confronting the often ugly truths about humanity in his fiction. The characters in Allen’s stories don’t just skirt the line of decency and civility, they treat it as the starting line for a race into the dark and profane, the surreal and disturbing.

The book’s namesake story, “Back Roads and Frontal Lobes,” manages to combine all of the above in one massive wallop. Temple Hannigan isn’t quite sure where he’s going, he just knows he can’t get there fast enough. As he drives the highway one night trying to outrun the memory of a cheating wife and a man brutally beaten to death, Temple finds himself taking the exit for Death City. The disturbing things that await him there are eclipsed only by the massive swerve ending Allen serves up.

“Not Over Easy” is a truly odd duck of a story, which I mean in a good way, one involving the last days of a dying man… or is he? Though afflicted with a seemingly never-ending nosebleed and eager to tell everyone whose path he crosses that he’s dying, the reader is never quite sure whether the story’s lead is actually dying, or whether the affliction from which he suffers is more of the mental variety. Flashbacks to disturbing events from the man’s youth only underscore the uncertainty. One thing is for sure, you’ll never look at the runny yoke of your eggs over easy quite the same way again, I assure you.