Bringing a PI Back from the Dead
No, not Sherlock. Between 2001 and 2004, I wrote three novels featuring half Greek half Scots missing persons investigator, Alex Mavros. I studied ancient Greek when I was a kid, then the modern language and literature at university; I lived on a small Aegean island for six years in the 90s; and I now spend most of my time in Nafplio, a beautiful seaside town in the Peloponnese. So writing novels set in Greece was inevitable. The career of Mavros has been less straightforward.
The first three novels came out in rapid succession: A Deeper Shade of Blue (later republished as Crying Blue Murder) in 2002; The Last Red Death (winner of the Sherlock Award for Best Detective Novel and featured/reviewed earlier on this site) in 2003; and The Golden Silence in 2004. I was following a template laid down by the late, lamented Michael Dibdin in his excellent Aurelio Zen series set in Italy – use a different location for each book, forcing your detective to come to terms with different customs, mentalities and so on (Zen was a cop rather than a PI, but the principle holds). This meant I could create a composite picture of Greece, alluding both to the modern world and each region’s complex back story, from ancient through Byzantine, Frankish, Ottoman and modern times. Greece really is one of those countries that has too much history.
Being an ambitious fool, I also wanted to make every book different in terms of its location within the crime and thriller genre. Crying Blue Murder was a rural noir set on an island full of white houses; The Last Red Death was a political thriller that rooted contemporary terrorism in World War Two and the terrible Civil War that ensued; and The Golden Silence was an urban gangster story.